History Of Art
The body has been used as a sign or symbol in art for centuries. The body
was
used to symbolize perfection in ancient Greece, and in Egypt, to give a
precise
image for the God of the After-life. Not to mention their colossal
monuments
which promote power and glory, and are used to intimidate. However
contemporary
artists use the body as a symbol which conveys a whole range of
different kinds
of layered meaning, although the simple symbol of power has
not been lost over
the centuries. Ancient Greek sculptures of the body are a
medium between man and
the gods, they are an ideal of physical perfection.
The female figure of
c.650-625 B.C. (fig. 123) and a nude male youth of c.600
B.C. (fig. 124) are
perfect examples of the use of symbols to convey meaning.
These statues, Kore
(maiden) and Kouros (youth) were produced in large
numbers, all being virtually
the same in outline. Their general names
emphasised the need for the statues to
remain unidentified and the lack of
personal character. Some were placed on
graves only to be viewed as
representations of the deceased in the broadest
sense (completely
impersonal). And some were used as offerings, for example: for
a favoured
person like the victor in an athletic competition.The strange lack
of
differentiation seems to be part of the character of these figures. They
are
neither gods nor men, but rather somewhere in between, a symbol of
physical
perfection, an ideal shared by not only humans but also immortals,
the gods.
Moreover, statues of the body in Ancient Greek art were also
used to capture the
image of the gods themselves. Nine of Samothrace (fig.
181)has a dramatic impact
on the viewer. It is the image of the goddess
descending upon the prow of a
ship. The beauty of the shapes that the body
creates, glorifies and beautifies
the goddess. It is a symbol of the power
and immortality of the gods and the
sole purpose of the artist is to convey
this beauty and power to the people of
Ancient Greece. Ancient Egypt is
also another place in which the body was used
as a symbol or sign. Colossal
monuments such as The Great Temple of Ramesses II
at Abu Simbel was a symbol
of great power and wealth, as only pharaohs were able
to create these
monuments. Size was everything to the Egyptian pharaohs, it was
the primary
key to emphasise and increase their power and worshipers. The
wonderful
inscriptions and hieroglyphs found on temple walls were of great
importance.
The use of the body in the relief work on the temple walls were used
to
convey a perfect image of the deceased to the God of the After life.
The
detail and intricacy of the body was to insure that they could be
recreated to
perfection in their life after death. Contemporary works that
use the body as a
sign or symbol, are found in abundance. Works as simple as
a portrait can have a
great impact on people. Portraits such as that of
Hitler, during World War, I
had enormous effects on the people of the Jewish
religion. To have these huge
portraits of Hitler’s face all over the country
insured his control and power
over the turn of events and the Jews. Victims
by Jose Clemente Orozco is of the
Symbolist art movement. The name of
this movement is indicative of the precise
purpose of the artists of that
time. Orozco had a deep humanitarian sympathy
with silent suffering masses
and in Victims he illustrates his powerful trait.
The bony bodies of the
unidentified people in Victims is a symbol of the
problems that were afoot in
the world in 1936. Vast numbers of people were
starving, suffering and dying.
Orozco used the bodies in his artworks as a
symbol of this suffering and
successfully draws the focus and the emotions of
the viewer. Thus, the
artwork has fulfilled its primary purpose. The use of the
body in Les
Demoiselles d’ Avignon by Pablo Picasso symbolizes the change of
the way we
view art and the body in art. Picasso introduced Cubism to the world.
His
brave abandonment of the Blue Period for a different and more robust style
is
seen and conveyed through his art. When Picasso started this picture, it
was
supposed to be a temptation scene in a brothel. However, he ended up with
five
nudes and a still life. This artwork was Picasso’s own counterpart
to
Matisse’s The Joy of Life , and the nudes in his work have a
savage
aggressiveness compared with Matisse’s generalized figures. This
distinct
difference could be considered as a sign of Picasso’s growing
distance from
the style of art in that particular time. His urge to breakaway
from convention
and conformity can be seen through the signs he posts through
his artworks and
also through the use of the body in art. Consequently,
throughout the history of
art, the body has frequently been used as a sign or
symbol as a metaphor or to
convey meaning. In the times long before Christ
the body was used in art to show
power and wealth, like the Egyptians, and
also to create a perfect image, as it
was for the Greeks. In the 20th
century, the body as a sign or symbol may be
interpreted differently by each
viewer. However, there is always an underlying
purpose and meaning to the
works of contemporary artists, how ever layered it
may be. Overall, we can
never escape the fact that the body as a symbol will be
used in art to come,
as it has before, and that it has a concrete prestige in
the world of
art.
Bibliography
A History of Art By H.W. Janson Published in
1970 by Thames
and Hudson