Impressionism In France
Towards the later half of the nineteenth
century, many artists were pursuing new
avenues in their artistic
representations. They were perturbed at the rigid and
constricting
regulations of the Salon, and some artists decided to form and
independent
exhibition. Cluade Monet and his friends founded the Société
anonyme de
artistes, etc. . . and continued to pursue an alternative to the
Salon.
On April 15th, 1874 this group of artists held their own show that
directly
challenged the authority of the Salon. Eventually, Monet and his
colleagues
became known as the Impressionists which stems from one of his works
that was
displayed at the first show, Impression, Sunrise. This painting was
hardly
recognized at the primier exhibition, but has since become a very
significant
work. Monet had just returned to Paris after the end of
the
Franco-Prussian War, and he felt that the country was in desperate
need of a
resurgence of nationalism. His painting, Impression, Sunrise, is a
landscape of
the avant-port of Le Havre which was the second largest port in
France. The
depiction of a richly commercial location can be interpreted as
patriotic ode to
a revitalized France. "It shows a site that all Frenchmen
would have been
proud of and seems to celebrate the renewed strength and
beauty of the country.
. ." (Tucker 157). This canvas testifies to the city’s
economic and
commercial prowess through innovative techniques that possess a
sense of
renewal. These new methods of rendering an image became the backbone
for a new
art movement, Impressionism. In conclusion, Claude Monet and his
comrades were
pioneers in the field of art. Their antagonistic views of the
traditional Salon
led to new ground-breaking techniques for representing an
image on a canvas.
Their paintings at the first Impressionist Exhibition
of 1784 contained sketchy
renderings and an unfinished feel which left some
critics looking for more. In
contrast, a number of critics praised the
Impressionists for their bold triumph
of a new art that embodied the
rejuvenated land of France. A new art movement
for a new France that began
with the painting Impression,
Sunrise.