Joan Of Arc
"Joan of Arc," was painted by the French
realist artist Jules Bastien-Le Page
in 1879. "After the province of Lorraine
was lost to Germany following the
Franco-Prussian War in 1821, The
Frenchmen saw in Joan of Arc a new and powerful
symbol. In 1875,
Bastien-Lepage, a native of Lorraine began to make studies for
a picture of
her. In the present painting, exhibited in the Salon of 1880, Joan
is shown
receiving her revelation in her parents garden. Behind her are
Saints
Michael, Margaret, and Catherine. (Caption next to painting in
The
Metropolitan)" Jules Bastien-Lepage creates a realistic atmosphere,
including
a supernatural, religious-like presence within his painting. Oil on
canvas was
used to create the realistic quality of the work. By closely
examining the
artist’s technique, it is clear that he uses delicate brush
strokes in a true
to life manner. The colors, and use of light seem to be
painted in a layered
fashion to give the landscape a sense of depth. The
background of the painting
is a garden which include foliage and brush that
surrounds the primary focus of
the painting, Joan of Arc. The artist put a
great effort into the details of the
scene. Bastien-Lepage uses a distinct
realistic quality in his painting which is
visible in each individual leaf
and branch. Various hues of earth tones, green
and brown being the most
evident, are blended together in the garden scene. In
the foreground of the
painting is Joan of Arc. She is painted with a seemingly
thicker paint
technique. This makes her a more easily visible aspect in the
painting, and
catches the onlookers eye. Joan is dressed in a long brown skirt
and
blue-gray shirt with white underneath which is the typical clothing style
of
the 19th century. The clothing is painted to show its wear and tear.
Her
features and her figure are quite realistic. She seems to have a calm,
but
troubled expression on her face, as though she is deep in thought.
Overall she
is painted in a very detailed manner. A less visible, yet still
present and
important aspect of the painting are the three figures positioned
behind Joan,
and in front of the house. The figures are somewhat transparent,
and ghostly.
Their presence adds a spiritual and or religious feeling to
the scene. These
three figures presence blends into the scenery. Al three
have halos above their
heads, and serene looks on their faces. The saint on
the right is dressed in
what looks to be armor. He looks brave, and as if he
is standing guard or going
into battle. The middle saint is a praying angel.
She is in a dress with a
gauzy, white presence around her. This whiteness
gives her an ethereal quality
which Bastien-Lepage has painted quite
effectively, and adds to the spiritual
feeling of the scene. Her presence in
the painting seems to represent chastity
and virtue. The last figure looks
like a young girl or child, who is kneeling
with her face hidden in her hands
almost as if she is upset. Perhaps
Bastien-Lepage painted these three
saints not only to illustrate Joan receiving
her visions, but to illustrate
the bravery, religious yet childlike figure that
she was. Behind Joan of Arc,
in the background of the picture is a house.
Bastien-Lepage painted the
house so that the masonry is visible. The house seems
to be small in size,
plain, and quaint. Surrounding the house is shrubbery,
trees, and more of the
garden which is seen throughout the painting. This
painting of Joan of Arc is
very significant. Bastien-Lepage is able to
effectively depict Joan as the
true heroine that she was. This is significant
because at the time there were
not so many women heroines like
her.