Palazzo Ruccelai
The Palazzo Ruccelai was one of the first works by Leon
Battista
Alberti.
He was an Italian architect, architectural
theorist, and universal genius.
Albert was the most important early
Renaissance architect after Filippo
Brunelleschi (Gympel, 44). The
"Palazzo" originated in Florence. The
monumental private building is derived
from "palatium." This Latin
word comes from the Roman hill which Emperor
Augustus and his successors lived.
During the 13th and 14th centuries,
many of Italian towns were destroyed during
the power struggles. This
explains why the exterior of the Early Renaissance
palaces were dark,
defensive, raw and uninvited (Gympel, 44). Construction on
the Palazzo
Ruccelai began somewhere between 1455 and 1460. Leon Batista Alberti
designed
the original Palace to have five bays, the center being where the door
was
located. Later on, two more bays were added by someone else (class
notes
1/19/00). There are three stories on this building. Each story is
equal in
height and rustication is uniform. This "evenness" is what gives
the
Renaissance its name. Most buildings made at this time have similar
attributes.
Each story has its own column capital to it. The ground floor
has the Tucson
order, the middle floor has Alberti's own design, and the top
floor has the
Corinthian order. I thought in Leon Battista Alberti's
treaty, The Ten Books of
Architecture, I would find out what each of the
column capitals meant to him,
but all I could find is dimension requirements
for each order. The Colosseum has
similarities with the Palazzo Ruccelai
also. I believe some of Alberti's ideas
came from at least the columns. It
has a similar placement of the columns. They
both have the Tucson order on
the ground story, and the Corinthian on the top
story. Where the Palazzo
Ruccelai has the composite though, the Colosseum has
the Ionic (Kostof 207).
I wish I could find what was on the inside of this
building. This could have
some importance in the placement of the columns, but I
came up empty. The
exterior gives no consideration to what is inside the Palazzo
Ruccelai.
Each window is the same, except for the two over the doors, which I
could
only think are used to emphasize the entry into the Palazzo. The
Palazzo
Ruccelai is a building that can continue to grow, as it has. It
started with the
original five bays, and two and a half more were added. If
there was enough
space, even more could be added. The last bay not being
completed gives some
indication of how this building can continue to grow.
The Palazzo Ruccelai is a
very simply building. Everything is equal.
Measurements would be simple because
everything is similar in design and
dimension. I wish there was more information
on the Palazzo Ruccelai. I
believe this is a very interesting building. Even
though the last bay is
incomplete, I believe it gives it a very unique
quality.
Bibliography
Alberti, Leon Battista. The Ten Books of
Archtecture. 1755. New York: Dover
Publications Inc., 1986 Gympel, Jan.
The Story of Archtecture: From Antiquity to
the Present. Cambridge:
Goodfellow & Egan, 1996. Kostof, Spiro. A History of
Architeture:
Settings and Rituals. 2nd Ed. New York: Oxford University Press,
1995