Winslow Homers Breezing Up
The
1873 masterpiece "Breezing Up",
by Winslow Homer located in the
National Gallery of Art in Washington DC
is an oil on canvas painting that
measures 23 3/13 X 38 1/6 in.. The primary
subject of this painting is a man
with three boys in a small wooden sail boat
that is moving along with what
appears to be a fairly choppy sea. At the
center of this painting is the stern
of the sail boat. The oldest of the boys
is sitting on the high end of the stern
with his knees up and his bare feet
planted flat on the deck in order to keep
him from slipping down into the
water. This image forms a powerful triangle in
the center of the painting.
The boyÕs use of only one hand on the tiller line
combined with his relaxed
posture suggest that he is very much at ease with his
responsibility of
steering the boat. His face is only visible in a semi-profile
view which
exposes his chin, left cheek, and eye socket. These features are well
defined
against thick layers of puffy clouds which are lingering over the
water.
Like the others in the boat he is facing away from the setting sun
which causes
the light to reflect off the back of his long sleeved shirt and
hat. Just to the
boyÕs right is the man in the boat who is presumably the
father of the boys.
His seated position below the deck allows the viewer
only to see his face
shoulders, arms, and hands. His red long sleeved shirt
is the brightest color in
the painting, and his calloused hands show strength
as he holds the halyard firm
in the cleat with a fully extended arm. Of the
four people in the boat he is the
only one with a troubled look on his face.
According to David Prown this is a
very common characteristic in HomerÕs
work. He says: Although the adults of
HomerÕs world seem isolated, his
children frolic together in a cheerful world
of laughter and mutuality. For
Homer, growing up seems to imply a loss, a fall
from paradise, removal from
happy, carefree innocence and high spirits to a
serious, lonely existence in
which each man is an island unto himself. (Prown
86) This is the perfect
description of the expressions of the people in this
painting. The children
are clearly relaxed and content, but the father has an
expression that
suggests that he has something weighing heavy on his mind, and
that he is
receiving only temporary relief as he relaxes on the water with his
sons. The
other two boys are relaxing up towards the bow of the boat. The older
of the
two is stretched out across the deck covering the width of the bow with
his
leather shoes hovering inches over the water. The youngest of the boys
is
sitting up right on the deck with his feet resting inside the boat and he
has a
pleasant look of deep thought on his face. Clearly all of these boys
are relaxed
and content with their surroundings. Numerous fish inside of the
boat suggest
that this group has had an afternoon of fishing and recreation.
They are not
dressed for serious fishing, so there is a good chance they are
out there
strictly for leisure. A building off the bow on the distant shore
is barely
visible, and combined with the long shadows of the setting sun, it
seems that
they are heading home. Homers soft blue sky and puffy white clouds
take up 2/3
of the canvas, leaving only the bottom third for the water and
the horizon. The
sky is completely empty except for a lone gull whoÕs wings
are lit up by the
sun as is hovers directly in line with what appears to be a
tiny illuminated
sail of another boat on the very distant horizon. Homer also
has an uncommon
ability to recreate curves just as they would appear in
nature. He uses this
ability to capture the shape and form of the rolling
waves in the sea, by even
more than that he uses it to capture the human
experience. The use of the
sunlight as it reflects off the cloths of the
people in the boat adds to the
realistic nature of this painting. The
wrinkles of white cotton shirts of the
boyÕs are accented brilliantly as the
sun illuminates and caused shadows on
different parts of their arms. The four
people in this painting express more
with their body language that they do
with their facial expressions.
Particularly the curve of their backs is
evidence of their state of relaxation.
In the children there is no
evidence of tension in their bodies. This is in
contrast with the father's
posture where tension is quite evident. The viewer's
position directly off
the stern of the sailboat is a privileged one. It allows
Homer's style of
American realism to be truly revealed. The exact details of the
small wooden
boat are astonishing. He captures everything from the stitches in
the sail to
the twist of the lines. Even the grain of the wood in the hull and
the mast
are perfectly visible. The attention to detail is magnificent. The use
of
light and shadows across the sail form a drastic contrast. This
contrast
gives the viewer a real feel for the way the sun is shinning across
the water.
The spray of water that washes over the bow as the boat
bounces through the
choppy water is another example of HomerÕs close
attention to detail. There is
also a merchant ship on the horizon on the
right side of the canvas that though
distant still retains a great deal of
detail. The sense of comfort and serenity
on the boyÕs faces is an
interesting contrast to the expression of worry on
their fathers face, but
this worry clearly is not related to their situation on
the water. This work
was completed towards the early part of Homer's painting
career, and this is
apparent by the look and shape of the water. As his life
progressed, Homer
began to focus on the power of the water in the sea, and he
earned a
reputation for being one of the best painters of his time in regards to
his
ability to capture the motion and and power of waves. In this painting
there
is less attention given to the water causing it to have very general
and
undefined characteristic. This neutral aspect of the water gives the
painting an
over all feel of relaxation and comfort. Prown gives an
interesting description
to this painting in in his book American Painting
From its Beginnings to the
Armory Show. In this book he states: Breezing
Up is a seagoing version of Snap
the Whip. The boys exert a mutual effort for
their common delight. One adult is
present, briefly privileged to share their
pleasure. The day is sunny; the air
and water are alive. Wind fills the
sails, and the boat fairly shudders as it
drives through the choppy sea. The
thrust of air against the canvas pulls every
line taut, and hands work to
hold this living machine, quick with the breath of
nature under control.
(Prown 87). This is a nice description of the work. It
seems that one of this
paintings main focuses is the pleasure and beauty of
children in
nature.
Bibliography
Prown, Jules. American Painting From its
Beginnings to the Armory Show.
World Publishing. Cleveland, Ohio.
1969.